Faul Lines Read online

  FURTHER PRAISE FOR Fault Lines

  The son of a very wealthy and highly assimilated Jewish woman from Central Europe and a famous English literary intellectual whose homosexuality his wife never allowed herself to admit, David Pryce-Jones, now grown into a distinguished literary intellectual in his own right, has an extraordinary story to tell, and he tells it in endlessly fascinating detail.

  NORMAN PODHORETZ

  former longtime editor of Commentary and author of several memoirs, including Making It and Ex-Friends

  One of the most passionate and beguiling books on inheritance since Gosse’s Father and Son. This is a story of a family of almost unimaginable wealth and privilege, of an extraordinary life lived across literary and political worlds, and of a century backlit by war and trauma. It has a candour, a humour and a fierce intelligence that make it a powerful and remarkable book.

  EDMUND DE WAAL

  author of The Hare With Amber Eyes

  Fault Lines

  David Pryce-Jones

  Copyright © 2015 by David Pryce-Jones

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of Criterion Books, 900 Broadway, Suite 602, New York, NY 10003.

  First American edition published in 2015 by Criterion Books, an activity of the Foundation for Cultural Review, Inc., a nonprofit, tax exempt corporation.

  Criterion Books website: www.newcriterion.com/books

  LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

  Pryce-Jones, David, 1936–

  Fault lines / David Pryce-Jones.

  pages; cm

  Summary: “Born in Vienna in 1936, David Pryce-Jones is the son of the well-known writer and editor of the Times Literary Supplement Alan Pryce-Jones and Therese “Poppy” Fould-Springer. He grew up in a cosmopolitan mix of industrialists, bankers, soldiers, and playboys on both sides of a family, embodying the fault lines of the title: “not quite Jewish and not quite Christian, not quite Austrian and not quite French or English, not quite heterosexual and not quite homosexual, socially conventional but not quite secure.” Graduating from Magdalen College, Oxford, David Pryce-Jones served as Literary Editor of the Financial Times and the Spectator, a war correspondent for the Daily Telegraph, and Senior Editor of National Review. Fault Lines – a memoir that spans Europe, America, and the Middle East and encompasses figures ranging from Somerset Maugham to Svetlana Stalin to Elie de Rothschild – has the storytelling power of Pryce-Jones’s numerous novels and non-fiction books, and is perceptive and poignant testimony to the fortunes and misfortunes of the present age” – Provided by publisher.

  ISBN 978-0-9859052-9-3 (softcover : acid-free paper)

  1. Pryce-Jones, David, 1936– 2. Authors, English—20th century—Biography. I. Title.

  PR6066.R88Z46 2015

  823′.914—dc23

  [B]

  2015034142

  CONTENTS

  ONE · A Moment in Austria

  TWO · Le Palais Abbatial

  THREE · Tivoligasse 71

  FOUR · Ménage à Trois

  FIVE · Reputed Father

  SIX · Here He Is!

  SEVEN · Money! Money! Money!

  EIGHT · Mr Pryce and Mrs Jones

  NINE · The Only Duty

  TEN · Storm Clouds

  ELEVEN · Adolfo Chamberlini

  TWELVE · Exodus

  THIRTEEN · Villa to Villa

  FOURTEEN · War in Kent

  FIFTEEN · Post-Mortem

  SIXTEEN · One’s Rothschild Cousins

  SEVENTEEN · Radio Toscane

  EIGHTEEN · Second to None

  NINETEEN · Midnight Mollie

  TWENTY · Middle East and Middle West

  TWENTY-ONE · Influence?

  TWENTY-TWO · Sonia

  TWENTY-THREE · A Burnt-Out Fairground

  TWENTY-FOUR · Grand Guignol

  TWENTY-FIVE · The Last Throw

  Acknowledgements

  Index

  For Jessica, Candida and Adam, and in memory of Sonia

  The Fould-Springer Family Tree

  ONE

  A Moment in Austria

  IN THE FIRST DAYS of January 1953 my mother and I arrived in what was then the isolated village of Seefeld in the Tyrol. Aged thirty-seven, she was returning for the first time since before the war to the country in which she had been born and to which she had a sentimental attachment, perhaps deteriorating into some sort of love-hate relationship. Originally called Thérèse Fould-Springer, she was Poppy to almost everyone who knew her before and after she made her life in England with Alan, my father. Here we were to stay in the Pension Philipp, newly built, and taking its name from the couple who owned and ran this rather modest venture in a post-war Austria still under Allied occupation and unsure of the future. My mother liked the hard-working Frau Philipp. We were there to have a holiday, and especially to ski, before I went back to Eton. An only child, I was sixteen.

  My mother’s younger sister Liliane had brought us to Seefeld. She had become familiar with this part of the world because her husband Elie de Rothschild had taken a lease on a shoot belonging to the Saxe-Coburgs. The lodge, a wooden chalet, was at the end of a long and twisty track that reached from the next village of Scharnitz high up into the Karwendel mountains, impassable in winter. Herr Ragg, the head keeper, a stout Father Christmas figure with red cheeks and a white beard, seemed to have survived from Habsburg days. He once corrected Elie for speaking loosely about the Austrian provinces Italy had acquired as spoils after the First War, “Sud Tirol, Herr Baron.” His younger son, Hubert Ragg, was our guide on the slopes, and slightly too insistent about it. A possible champion, he had lost his nerve in a bad fall while racing, and he wanted to hide it.

  Aunty Lily, as she was to me, came with her two small children, my cousins Nathaniel and Nelly, and their nanny Miss Sargent from Norfolk. In Paris they lived in the Avenue Marigny, a house inherited from Elie’s father and one of the largest in the entire city, round the corner from the President of France in the Elysée. Thanks to Liliane, they also had a house called La Faisanderie on the Fould-Springer family’s estate at Royaumont near Chantilly. The ensemble of buildings there is one of the showplaces of France. In the thirteenth century, the abbey had been built for the Cistercians by Saint Louis; the church and much else was pulled down during the French revolution, to leave a refectory, halls, and imposing monastic quarters around a cloister. This was the property of our neighbors, the Gouins, whose daughter Marie-Christine was twenty when she too was with our party in the Pension Philipp, so to speak a lifelong honorary member of our family.

  On January 12 Poppy wrote to her mother, Mitzi or Mitz to those who had known her in the first part of her life, and Mary to those who had known her afterwards. My grandmother was then in her flat in Paris just behind the Madeleine within walking distance of the Rothschilds in the Avenue Marigny. French was the language in which these two corresponded, with bits of German and English as decoration. Poppy’s excuse for not writing sooner was that she had spent two very bad days, feeling sick with pains in her liver and kidneys. “Naturally my morale responds, each time I feel better I am filled with hope but I must say that I’m beginning to have more than enough of it. If I don’t feel much better I may come back sooner to Paris.” She proposes more consultations with her Paris specialists whom she names, Drs d’Allaines, Mayer, and Camille Dreyfus. The rest of this letter is in quite another mode, cheerfully social, describing the New Year’s Eve she and Alan had just spent with Harry and Rosie d’Avigdor-Goldsmid at Somerhill, their house on the edge of Tonbridge. It was a
home from home. Until that year, we had lived in Castle Hill Farm, tenants on their estate. At Fairlawne, a country house a few miles away, lived the racehorse trainer Peter Cazalet, his wife Zara and his son Edward, exactly my age. We visited them. Staying there were Lady Margaret Douglas-Home and two of her children, Fiona and Charlie, two more friends for me. “C’était très gemütlich” Poppy writes in the familiar linguistic mix. She and Alan had completed the upheaval of moving to London and she closes this letter to her mother, “what worries me most in all this is Alan’s agony and exhaustion and I wonder if a radical change and a simpler life might be envisaged.”

  The very next day, the 13th, she was writing to Alan. “I know I am more than impossible to live with, but you do know, I hope, how much I appreciate and am grateful to you for all you have always done for me in the past, and alas now I need your unending understanding and thoughtfulness more than ever and I have so little to give in exchange.” This suggests that she was confronting her own mortality quite clearly. Yet she goes on as though in some part of herself plans for the future were still believable, “I must come back to Austria with you, it gives me too much heimweh [homesickness] for the past and all it means to us. Your Pigling [a habitual and mutual borrowing from Beatrix Potter’s Pigling Bland] who is getting stronger again.”

  I knew that Poppy in the previous August had undergone an operation in the American Hospital in Paris but when I went there I was not allowed to enter her room. “You have seen enough doctors,” I wrote to her, adding in schoolboy language that I hoped she “may never again need to see another.” Home again, she was evidently having some unspecified treatment for some unspecified illness. I had observed that often she did not get out of bed in the morning or went back to bed in the afternoon. She and everyone else were studiously silent about the reason for all this, and I was too engrossed in my own life to probe into her health. There were things women kept to themselves out of delicacy, I imagined. Perhaps she was playing up to get sympathy. Poppy was on the best of terms with Camille Dreyfus, a relation of the persecuted Captain Dreyfus. Alarmed because I was a slow grower and nicknamed Little Man at Eton, she had dragged me to see him. I couldn’t take him seriously. Counting my vertebrae, he thought I had one too few – “Mais mon petit, tu es déformé.” Further inspecting my private parts, he said, “Mais mon petit, il faut s’en servir.” Like the others around me, he meant well, but even he held back from telling me that Poppy had cancer. If he also gave her morphine in quantities to put an end to her life, that too was well meant.

  Blithely ignorant, I wrote to Alan from the Pension Philipp, “Mummy who has felt ill on and off up to now, has suddenly and completely recovered today, so much so that she went out on Marie-Christine’s skis, just to see what it felt like. We are all naturally very relieved, because it was pointless that she should come to the mountains to be ill.” In her small hasty handwriting Poppy had added in the margin, “I am so happy to be able to tell you that Thank God today I feel quite alright again. It has been so fine and I have been on skis! Not skiing and only five minutes. Your Baba is in grand form and all the others too. We go to watch the stags tomorrow and Elie comes after tomorrow for the week-end.” Lily had a mania for photography, and in that moment out of doors she recorded Poppy wearing an anorak and a woolly pixie bonnet and looking fixedly at the camera as though to stare right through it.

  From Seefeld we took a taxi to Innsbruck. We visited the church there and Poppy told me about the great Emperor Maximilian painted in a memorable portrait of majesty by Dürer. At the station, she helped me board the train. A smartly dressed lady in a fur coat emerged from a couchette in the same Pullman carriage, with a companion just behind her. Speaking French, Poppy greeted this lady by name, and was very amused to have caught her out: “The man she’s travelling with isn’t her husband.” She was all laughter as the train pulled away and I had my last sight of her.

  In the Pension Philipp after saying goodbye to me, she wrote once more to her mother. This letter is dated January 21. It was high time for her to return to England, she says, but “alas, I feel on the whole not at all well, feeling nauseous above all and when all this started up positively ill.” Abruptly she changes subject. Elie had arrived to fetch Liliane and the children. Having just stayed at the palace of Laeken with the King of the Belgians, he had entertaining stories to tell about that royally dysfunctional family. Poppy also boasts on my behalf that I spoke German not too badly and was a remarkable skier who had gone on a cross-country “Ausflug,” or expedition, with Hubert Ragg. Finally a passage about Alan shows how well aware she was of what was coming: “He is rather agitated at this moment about our future etc. and as for me my one idea is to simplify his life so that he has less work and fewer worries.”

  The Eton schedule of lessons and games left very little time for anything else. Several days passed, whereupon I received a letter from Alan to say that Poppy was hurt not to have heard from me, and I was to write to her at once. It was not his style to be brusque and to issue peremptory commands. Rather shocked, I did manage to fill up four sheets of paper which survived in the bundle of correspondence carefully kept with a rubber band on Poppy’s bedside table.

  Oliver Van Oss, my housemaster, was imposing in every way, in knowledge, taste, and not least physical bulk. He also had a natural humour. In the course of the morning he came to find me to say that Poppy had just died. I was to go to Paris as soon as possible, and he would drive me to Heathrow. On the way in his car he made a point of advising me that grief ought to be expressed and there’s nothing wrong or unmanly about crying. Kenneth Rae was already at Heathrow with tickets for us both. In old days before the war he had been a friend of Poppy and Alan in Vienna. The family albums have photographs of him dressed like Alan at the time in lederhosen and white knee stockings, and depending on the season in ski clothes or a bathing costume. At the firm of Cobden-Sanderson, he had been Alan’s first publisher and now he was devoting himself and his private fortune to founding what in due course became the National Theatre. From Castle Hill Farm we used to walk through the woods in about a quarter of an hour to his house, Knowles Bank. To me, he was Uncle Kenneth. He wept openly.

  Elie shared the Avenue Marigny house with his elder brother Alain. You entered a courtyard where the concierge was in a lodge to the right. The main door to the house was on the left, and you seemed to step into a cavern, somewhere not intended for human habitation. Glass roofing at the top of the vast staircase threw a ghostly light. In reception rooms that nobody went into were pictures by the greatest artists, magnificent Boulle furniture, museum pieces of every sort. Good manners inhibited talking in a normal voice in this forbidding setting. At the end of a dark corridor was a smallish rather dingy room with a bed jammed in one corner against the wall. I had never seen a dead person.

  More than a cemetery, Père Lachaise is a city of the dead. The Fould family possesses a gloomily ornate mausoleum there with plenty of space. Two days after her death, Poppy’s coffin was placed alongside unknown ancestors. Hebrew prayers were said. Alan wanted to have Poppy reburied in the local parish churchyard in Kent. Dr Chavasse, then the Bishop of Rochester, refused to grant permission because Poppy had been Jewish. Her final grave is in the Catholic cemetery of Viarmes, the slightly ramshackle village a mile or two from Royaumont.

  Alan took me back to Eton. The approach to my house was through an archway, past a row of cottages, rather picturesque. Standing there was someone wearing an old mackintosh and a shabby felt hat. John Betjeman, the poet in his disguise. He had been shuffling about in the doorway for hours. Years later he told me, “I knew the Captain would be sad so I wanted to meet him on his return.” In keeping with his view of the human comedy, Betjeman had mythologised Alan’s one-time military rank, elaborating it to Captain Bog, a mistyping for Big Nose. There had been an evening when he addressed the school’s literary society, caught sight of me in the audience, and called out, “Oooh Baby Bog!” – his face alive with de
light in the private joke. Years later too, I wanted my daughters Jessica and Candida to have a memory of someone who had had more influence on Alan than any other contemporary. By then Betjeman was in a wheelchair. “The Captain is like an onion,” he said to the three of us. “You peel off the skin and always there’s another skin. Those who don’t love him think that after the last skin there’ll be nothing. We who love him know there is something but what it is we shall never find out.”

  Back at Eton I was straightaway caught up in a compulsory game of football on one of the far pitches known to the school as Dutchman’s. In the middle of the game I stopped, I stood still, struck by the realization that I was being compelled to behave as though nothing in my life had changed.

  TWO

  Le Palais Abbatial

  ROYAUMONT! The accumulation of vowels following that throaty initial r is a test of correct pronunciation. Poppy would make me repeat the word, and also practise saying the equally tricky noun grenouille, a frog, until she was satisfied that my English accent was ironed out and I could pass for being French and imagine myself a Special Operations agent deceiving German sentries at a check-point. Royaumont! The name alone has an almost enchanted power to bring back the past as though everything was still as it once had been. My grandparents Eugène Fould from Paris and Mitzi Springer from Vienna had acquired the house in 1923. He wanted to make the kind of splash in high society that the French are famous for, but he did not have the means for it. One of the richest women in Europe, she paid.

  In those days you drove from Paris for about an hour on the narrow roads of what was then the department of Seine-et-Oise. Through Viarmes, past the garage of Monsieur Fauvarque with its hand-operated petrol pump, and next to it the iron gate leading to the cemetery, you would come down the hill and over a crossing known as the Croix Verte, to enter what seemed like the kingdom of our family, a beautiful and romantic place. An immense stone wall closes off the field to your right. On the far side of it are huge trees, and over their tops pokes up a mysterious piece of masonry, something like the point of a gigantic pencil. In the 1789 revolution teams of oxen had been harnessed to pull down the great thirteenth-century abbey church that had stood here, one of the largest in the country. This huge Gothic spike is a monument to lost scale.